Current solo exhibition: “Miriam Parkmans Palett” at LUX, Östersund, Sweden until January 27th, 2024. Photo: Martina Ankarfyr/Campher
photo: Martina Ankarfyr/Campher
“Vakna, somna, vandra” by Studio Supersju, 2023. Public commission by Stockholm Konst to celebrate the 100-year anniversary of Stockholm City Hall. Photo: Henrik Trygg
Detail from my latest piece, “Växtfärgning i Kall i juli/Farmor i drömmarnas dalgång”, 2023. Currently exhibited at LUX, Östersund, Sweden.
“Colorized flower harvest”, 2023.
Poster design for the Bar Oas solo exhibition 2022.
Detail from the finished tapestry “Grönvit nattviol och Purpurknipprot”, made by me 2021-2022 for the Studio Supersju public commission for Kornellen care home in Örebro.
Hand dyed yarn and the original sketch for the tapestry “Grönvit nattviol och Purpurknipprot”, made by me 2021-2022 for the Studio Supersju public commission for Kornellen care home in Örebro. Photo by Ylva Sundgren.
Interior from “Miriam Parkman’s Palette” at Bar Oas 2022. The piece is “Each season changes you/Den invasiva hösten”. Read more about the piece under “portfolio”. Photo by Martina Ankarfyr.
From the “High Coast” collection with Indigofera Jeans 2020. “Moss and cliffs” shirt + “Weaver’s jeans” on pattern maker Åsa Norin. Photo by Gustav Frosty Karlsson.
Interior from “Miriam Parkman’s Palette” at Bar Oas, 2022. Photo by Martina Ankarfyr.
Photo from Att Väva/To Weave book, 2020. Description for floor rya “Autumn leaves”. Photo by Campher Image.
Photo from Att Väva/To Weave book, 2020. Description for tabby and twill placemats and napkins “Oaxaca”. Photo by Campher Image.
Various samples; practicing tapestry techniques, telling small stories through squares and rectangles.
A small tapestry called “Hello friend” made for Miriam Parkman’s Palette (solo exhibition) at Bar Oas 2022. Sold.
Sketches, samples and the finished product for Swedish VÄV magazine. Hand woven yardage for a set of pants + tuniqe in a 1960s style.
Photo from the “High Coast” collection with Indigofera Jeans, 2020. The “Midnight Dazzler” blanket on the cliffs of Rotsidan, Nordingrå. Photo by Gustav Frosty Karlsson.
Photo from the “High Coast” collection with Indigofera Jeans, 2020. The “Midnight Dazzler” jacket, “Treasure Trail” blanket, “Cliffs and Moss” shirt and “Weaver’s pants” on me and pattern maker Åsa Norin. Photo by Gustav Frosty Karlsson.
Collection photo by Douglas Luhanko at Second Sunrise shop in Stockholm, before the launch of the “High Coast” collection with Indigofera Jeans fall 2020.
Exhibition post card for “Rusty Dreams” at HV Gallery Laboratory 2019-2020. Textiles by me and analog photos by Mira Svanered. Post card design by Sarah Wing.
Workshop result in the ongoing project “FÄLT” between me, potter Stefan Andersson and flower farmer Sofia Wikander.
Interior from the foyer of care home Kornellen in Örebro, Studio Supersju public commission triptyque on the wall. Tapestry woven by me, ryas woven by me, Mirjam Hemström and Vega Määttä Siltberg.
A rya sample made before the bigger piece “30 years, 21 squaremeters, pink, blue, blue” (2022). Sold.
Interior from my old 1-room, 21 squaremeter apartment in Bandhagen, Stockholm, spring 2022. The rya “Period Pink 2. Roadtrip before baby” hangs on the wall, made 2019.
Photos: Ylva Sundgren/Miriam Parkman/Martina Ankarfyr/Campher Image/Gustav Frosty Karlsson. Hoover over photos for more info. Some have links attached to connected posts. Email me at miriamparkman@gmail.com if you have questions and/or inquiries.